If face masks work in preventing us from getting COVID-19, why can’t we all just use them and get everyone back to work? Why not wear face maks in all places of work and move on? Does it make sense to keep so many places closed at this point?
If we are protecting ourselves and others by wearing a face mask, why do we need to social distance?
On the other hand, if they don’t work in preventing viral transmission, why are we compelled to wear them?
One last question, if someone wears a face mask like this in New York City, will people be ok with it?
Clayton Craddock is an independent thinker, father of two beautiful children in New York City. He is the drummer of the hit broadway musical Ain’t Too Proud. He earned a Bachelor of Business Administration from Howard University’s School of Business and is a 25 year veteran of the fast paced New York City music scene. He has played drums in a number of hit broadway and off-broadway musicals including “Tick, tick…BOOM!, Altar Boyz, Memphis The Musical and Lady Day At Emerson’s Bar and Grill. In addition, Clayton has worked on: Footloose, Motown, The Color Purple, Rent, Little Shop of Horrors, Evita, Cats, and Avenue Q.
Questions of the day - Masks
Questions of the day - Masks
Questions of the day - Masks
If face masks work in preventing us from getting COVID-19, why can’t we all just use them and get everyone back to work? Why not wear face maks in all places of work and move on? Does it make sense to keep so many places closed at this point?
If we are protecting ourselves and others by wearing a face mask, why do we need to social distance?
On the other hand, if they don’t work in preventing viral transmission, why are we compelled to wear them?
Inquiring minds want to know.
Maybe Dr. Facui can give us the answers:
One last question, if someone wears a face mask like this in New York City, will people be ok with it?
Clayton Craddock is an independent thinker, father of two beautiful children in New York City. He is the drummer of the hit broadway musical Ain’t Too Proud. He earned a Bachelor of Business Administration from Howard University’s School of Business and is a 25 year veteran of the fast paced New York City music scene. He has played drums in a number of hit broadway and off-broadway musicals including “Tick, tick…BOOM!, Altar Boyz, Memphis The Musical and Lady Day At Emerson’s Bar and Grill. In addition, Clayton has worked on: Footloose, Motown, The Color Purple, Rent, Little Shop of Horrors, Evita, Cats, and Avenue Q.